Northern Soul And The History Of Its UK Roots

For a great many people in the UK the phrase Northern Soul has no meaning at all, but for others it conjures up fond memories of the late 60\'s and 70\'s and became a movement that had its roots in the Mod scene. History has it that the Northern Soul sound was defined in the Twisted Wheel Club, followed by others such as Wigan Casino, the Torch in Stoke on Trent and the Blackpool Mecca. A particular Northern soul dance style and fashion emerged at the same time.

The term northern soul however is said to have originated in a small Covent Garden shop in London called Soul City, which was owned and run by Dave Godin a journalist who wrote a Blues & Soul magazine column. It was evidently a sales term used by those serving visiting football fans from the north, to indicate that visitors from the north were looking for the type of music played in the northern clubs, not the sounds of Detroit or Chicago..

The initial years of the northern soul scene between late 60s and early 70s was founded on the Motown sounds of the mid 60s. DJs would search for and acquire rare recordings that could be added to their playlist. As time moved on DJs began to play more contemporary music, and started to drift away from Motown..

It is those rare recordings, which still drive a passion amongst aficionados of the rare northern soul genre today, with some recordings selling for thousands of pounds. Often recordings were produced in limited quantities by the smaller independent labels throughout the USA. Labels such Golden World from Detroit, Shout from New York and Okeh from Chicago..

DJ's on the northern soul scene became well known for their possession of rare recordings, and if accepted on the dance floor would draw hundreds to the venues they played at. It's said that a Frank Wilson song called, Do I Love You, is the most valuable northern soul single around due to its rarity. .

Just do a search online and you'll get an impression of the different artists and labels that made up and influence northern soul back in the days. You'll discover little gems like ‘I just want to fall in love' by the Spinners on the Atlantic Demo label which was a real 70s dance floor anthem. Dig deeper and you'll find hundreds of 45's that average around £350. Ever heard of the Fast Eddie label and Pat & Blenders, or Soul-Fay on Audio Forty..

If you love that sweet soulful Motown sound, or you prefer the sounds born of the Twisted Wheel Club, just search online for Northern Soul, and a wealth of new musical experience awaits you..

Sam Dees I'm So Very Glad

Jimmy McFarland - Lonely Lover

Cookie Scott - I Don't Care

The Imperial Wonders Trying To Get To You

Velvet Hammer --- Happy

Happy New Year!

I would like to wish all my readers a Happy New Year. Thank you for visiting my blog and hope you continue to enjoy it through the coming year. Cheers to a soulful 2010!

Jaheim - Just In Case

Ujima - I'm Not Ready

The History of Soul Music

Soul music is the creation of altering social conditions and diverse musical influences. Tracing its roots into the traditional folk songs of the African slaves that were brought at Jamestown, Virginia in 1619, soul music was originally the 'African Spirituals' of the period between 1825 and 1850. These spirituals had significant harmonious and metrical relationships with West African songs and were often used by black slaves as a means of secret communication. By the end of the 19th century, they were replaced by gospel songs.

Black gospel music had developed out of a blend of earlier hymns, elements from the spirituals and black performance styles. The singing often reflected ecstatic dance and was accompanied by a piano or an organ, anchored with tambourines, electric guitar and hand-clapping.

During World War I, many black people migrated from the agricultural South to the industrial North. This population shift altered the setting and created a new demographic group which developed a new music genre known as R&B. In the late 1940s, R&B had become a massive phenomenon in the north with black R&B artists being promoted by black owned radio stations. Besides, white radio station owners, in the fear that the newly invented TV would make radio old-fashioned promoted and distributed R&B in an unprecedented way. At the same time, the South experienced the evolvement of jazz, which also traced its roots in the musical traditions of African slaves. Performed by piano soloists and small marching bands, jazz music featured spirituals, blues and hymns.

Soul music did not evolve until the mid-50s with the resurgence of gospel and doo-wop and the commercial blast of music for African-Americans. Tracing its roots in rhythm & blues and gospel, soul music was associated with the black civil rights movement through the metamorphosis of black music into a form of funky confirmation.

Besides, the dominant trend of the 1960s towards cultural integration enabled the development of soul as a means to integrate black and white America. By featuring catchy grooves, hand-clapping, spontaneous body moves, improvisational add-ons, and constant interplay between the soloist and the chorus, the soul genre made white America more open to the idea that African-American culture was not demeaning or corrupting, simply different. In a way, the sociopolitical inroads made by jazz popularized black music within the white audiences. The soul genre was also, rather indirectly, assisted by rock music, mostly because rock made white pop music sound old-fashioned. Without offering an alternative to the obsolete sounds of white pop music, rock music, in effect, legitimized black pop music.

As the black civil rights movement moved forward increasing African-American pride, soul music gained credit in the hearts of African-Americans as a means of expression and artistic freedom. Soul music became the flag of unity for the black communities and although never truly political in nature, for many, its instant rise in the pop charts was representative of the first successes of the civil rights movement.

Ray Charles is widely regarded as the pioneer of soul music with his 1954 release 'I Got A Woman'. After that release, a number of successful artists followed taking soul music to its apogee in the 60s and the 70s. The geographical dispersion of soul music and its associations to the racial discrimination against the African-Americans popularized soul massively as a fundamental psychological element of the black struggle. From Florence and Memphis to Chicago and Detroit soul music reflected idealism and how life should not be accepted as it comes, but it should be made worth living.

The magnificent recordings of Sam Cooke ('You Send Me', 1957 and 'Twistin' the Night Away', 1961) Arthur Alexander ('You Better Move On', 1961), Otis Redding ('I've Been Loving You Too Long', 1965), Wilson Pickett ('In the Midnight Hour', 1965), Percy Sledge ('When a Man Loves a Woman', 1966), Aretha Franklin ('Respect', 1967 and 'I Never Loved a Man (The Way I Love You)', 1967), and Sam & Dave ('Soul Man', 1967) were some of the Southern soul releases of Florence and Memphis throughout the 60s.

Northern soul has been developed in Detroit and Chicago. Motown Records practically swept the charts with top-selling artists that established the Motown Sound featured smash hits such as 'Where Did Our Love Go' by Diana Ross and The Supremes in 1964, 'The Way You Do The Things You Do' by The Temptations in 1964, 'Tracks Of My Tears' by Smokey Robinson and the Miracles in 1965, 'I Heard It Through The Grapevine' by Marvin Gaye in 1967, 'I Want You Back' by The Jackson 5 in 1969, Stevie Wonder's 'Superstition' in 1972 and many others. Chicago became known for the sweet soul featured by Curtis Mayfield and The Impressions, who introduced a call and response style of group singing as derived from gospel.

Even James Brown and Little Richard, who were both into R&B music featuring a variety of deep backbeat, funky saxophone grooves, moans, screams and emotive inflections with boogie-woogie sounds, embodied in their music soul elements in their most commercially successful productions.

During the 1970s, the emergence of hip-hop culture and disco influenced the soul genre greatly, while in the 1980s the use of synths and other electronic equipment featured house and techno music over soul. Although its popularity has declined over the years, the impact and the influence of soul music is evident in many music genres such as funk, pop and neo-soul.

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